Jerry Seinfeld: “The Movie Business is over!”

Brett Martin writing in GQ reports that “Jerry Seinfeld Says Movies Are Over.”

While promoting his new Netflix movie “Unfrosted,” the billionaire comedian talks about his directing debut.

“These movie people are unbelievable. They’re insane…. They’re so dead serious! They don’t have any idea that the movie business is over. They have no idea…. Film doesn’t occupy the pinnacle in the social, cultural hierarchy that it did for most of our lives. When a movie came out, if it was good, we all went to see it. We all discussed it. We quoted lines and scenes we liked. Now we’re walking through a fire hose of water, just trying to see.”

Brett asks, “What do you think has replaced film?”

“Depression? Malaise? I would say confusion. Disorientation replaced the movie business. Everyone I know in show business, every day, is going, What’s going on? How do you do this? What are we supposed to do now?”

Jerry Seinfeld closes by reveiling his philosophy:

“There’s nothing I revile quite as much as a dilettante. I don’t like doing something to a mediocre level. It’s great to be 70, because you really get to preach with some authority: Get good at something. That’s it. Everything else is bullshit.”

My take: Great advice. To me, Seinfeld remains one of the best TV sitcoms of all time.

Apple Log on iPhone

Apple Log on iPhone is Not a Gimmick according to ZY Cheng of Malaysia.

In a fast-paced 10 minutes he covers:

  • the difference between conventional filming and filming in log
  • how exposure changes in log (1:12)
  • using the iPhone Camera App to film in log (5:06)
  • using the Blackmagic Camera App to film in log (5:47)
  • the log profile and black and white levels (6:31)
  • log exposure tips for day and night filming (7:53)

Apple Log is available on the iPhone 15 Pro and Pro Max. Note that Apple will most likely be upgrading these come September 2024.

My take: I want this. I need this!

“air head” is the first AI generated short film

Sora has received one of the first AI generated short films from Canada’s shykids_:

OpenAI says on their blog:

“Based in Toronto, shy kids are a multimedia production company who utilized Sora for their short film about a balloon man. ‘We now have the ability to expand on stories we once thought impossible,’ shares the trio made up of Walter Woodman, Sidney Leeder and Patrick Cederberg. Walter, who directed Air Head, remarks that ‘as great as Sora is at generating things that appear real, what excites us is its ability to make things that are totally surreal. A new era of abstract expressionism.’ Speaking to the wider industry, ‘people from all over the world with stories ready to burst out of their chests finally have the opportunity to show the world what’s inside.'”

The BTS video is quite illustrative, as it does look like some post work was done on at least one clip:

 

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I love this quote: “Sora is very much a slot machine as to what you get back.”

By the way, these are the folks behind 2013’s brilliant, genre-launching Noah (nsfw):

My take: sure, it’s not prime time yet, but Sora will only get better. Check out these other “text to video” tools on Future Tools. Oh, and I think the contrast in “air head” is too flat.

See every Canadian movie!

If your New Year’s resolution is to watch more Canadian films, Telefilm has you covered.

Their See It All website will help you discover Canadian movies, new (2023) and old (1973).

You can search the database of over 3,400 by title, by new releases and by streaming platforms.

My take: I wish we could search by director or cast members too!

Finally, new plots unlocked for Hallmark movies!

Ryan Morrison of Tom’s Guide, reveals I asked ChatGPT to create a Hallmark Christmas movie — and it went better than expected.

He begins:

“Part of my job is testing AI products to find out how well they work, what they can be used for and just how good they are at different tasks. So, inspired by my mom’s favorite genre of movie I decided to ask ChatGPT to write a Christmas story in the style of Hallmark.”

His ChatGPT 4 prompt? “Can you help me come up with the plot for a Hallmark-style Christmas movie?”

The resulting basic plot? “In ‘Christmas Carousel’, a New York architect discovers love and the value of tradition when she teams up with a local carousel restorer to save a cherished holiday attraction in a small town.”

There’s a more detailed plot, characters and even dialogue.

The AI even suggests filming in Cold Spring, New York State.

Oops! There is a real 2020 Hallmark movie called “A Christmas Carousel” with this plot: “When Lila is hired by the Royal Family of Ancadia to repair a carousel, she must work with the Prince to complete it by Christmas.”

My take: even though it appears ChatGPT 4 came extremely close to ripping off the title of an existing Hallmark movie, I like its plot better than the real one. Go figure.

YouTube’s Dream Track and Music AI Tools

Sarah Fielding of Engadget reports that YouTube’s first AI-generated music tools can clone artist voices and turn hums into melodies.

The YouTube technology is called Dream Track for Shorts.

The mock-up asks you for a text prompt and then writes lyrics, music and has a voice-cloned artist sing:

YouTube is also testing Music AI Tools:

This is all possible due to Google DeepMind’s Lyria, their most advanced AI music generation model to date.

Cleo Abram also explains the real issue with AI music: When do artists get paid?

My take: AI is just a tool — I use it occasionally and will be exploring it more in 2024. What we as a society really need to figure out is what everyone’s going to do, and how they’ll get (not earn) enough money to live, when AI and Robotics make paid work redundant.

Barbenheimer continues to wow in weekend 2!

July 21, 2023, saw the release of both Greta Gerwig‘s Barbie and Christopher Nolan‘s Oppenheimer, and rather than cannibalize each other’s audience, this synergistic counter-programming resulted in the fourth biggest combined weekend box office of all time.

But the numbers don’t lie. Barbie is more popular than Oppenheimer, earning twice as much. Their combined total is well over $1B to date.

My take: It appears plastic out-punches plutonium.

How to Make a Better Movie Trailer

Nerdstalgic asks, “What Killed the Movie Trailer?”

They say:

“Movie Trailers may have started out as a tool to sell films, but over time they have evolved into their own spectacle. Before a film is released there are a multitude of Theatrical Trailers, TV Spots, Web Shorts, and even Trailers before the Trailer starts. How did Hollywood turn from a simple marketing tool, to a an ever expansive industry of movie trailers that mostly give away the entire plot of the film? How did Hollywood crush the Movie Trailer?”

Vanity Fair provides more background on How Movie Trailers are Created:

“Movie marketing expert and creative director Jessica Fox takes us through the steps of creating a successful movie trailer. From the collaborative process that takes place between filmmakers, studios and creative agencies to audience testing, she breaks down how each play a role in deciding how much is shown, what stories are told, and why trailers tease missing scenes from the film’s final cut.”

My take: I think the job of trailers is much harder today than in the past, given the fractured entertainment environment and peoples’ frenzied attention spans. And yet the goal remains the same: get folks to watch the whole movie. But I think the “Exquisite Corpse” might-as-well-be-a-random-sampling-of-the-movie trailer editing method is not working well. (Imagine if they did that with books — a word salad of the paragraphs from five pages of a four hundred page novel.) I much prefer the “In a world where…” trailer structure that is once removed from the film but still sets up the premise and asks the audience a question, one that they can only answer if they watch the movie. Oh, and my pet peeve? I feel cheated if the music in the trailer is not in the movie.

The Elevation Pictures Playbook

Etan Vlessing reports in The Hollywood Reporter on Elevation Pictures’ 10-Year Journey to Canadian Indie Powerhouse.

He notes:

“As an indie distributor, Elevation competes in the shadow of Hollywood studios dominating the local multiplex with star-driven tentpoles by embracing indie filmmakers in Canada and international art house titles.”

“Many of Elevation’s potentially zeitgeist-capturing releases come via output deals with American partners, including Black Bear, Neon and A24, with whom Elevation is a preferred partner north of the border.”

“In all, Elevation releases about 35 indie titles a year, with a third of those locally produced or acquired at festivals on completion that hopefully will become box office winners.”

“Key to Elevation’s proven playbook is that focus on financing homegrown directors and their films, with support from local funding agencies like Telefilm Canada to share the risks and rewards on what can be an uphill battle to launch and monetize Canadian indies.”

My take: I notice on Panoscope that Elevation is almost always the leading Canadian distributor each week.

 

Movie Posters from Ghana

Joseph Foley admits on Creative Bloq that I can’t get enough of these incredible Ghanaian film posters.”

Posters advertise movies. Thirty years ago in Ghana, the mobile cinema scene (entrepreneurs with vans, generators, TVs, VCRs and collections of VHS videotapes) needed posters to advertise their screenings. Hence the Ghanaian Film Poster.

Deadly Prey Gallery in Chicago sells prints of these posters. You can also commission the artists.

My take: these posters are fantastic!