Author Archives: Michael Korican

About Michael Korican

A long-time media artist, Michael’s filmmaking stretches back to 1978. Michael graduated from York University film school with Special Honours, winning the Famous Players Scholarship in his final year. The Rolling Stone Book of Rock Video called Michael's first feature 'Recorded: Live!' "the first film about rock video". Michael served on the board of L.I.F.T. when he lived in Toronto during the eighties and managed the Bloor Cinema for Tom and Jerry. He has been prolific over his past eight years in Victoria, having made over thirty-five shorts, won numerous awards, produced two works for BravoFACT! and received development funding for 'Begbie’s Ghost' through the CIFVF and BC Film.

Help shape Canadian policy on $360M of TV and New Media funding

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The Canada Media Fund (CMF) is about to launch a cross-country consultation tour.

“The CMF is a not-for-profit corporation that delivers $360.7 million in funding annually to support the Canadian television and digital media industries….”

Consultation Tour 2013 will help shape policy for the next two years and will spend time in 18 cities, towns and hamlets from coast to coast to coast from mid-September through mid-November.

Sign up here.

My take: $360M is a lot of money! Why not get yourself invited to the table?

Saul Bass: posters and title sequences

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Saul Bass is one name I remember noticing when I first got into films.

Probably because he did cool titles and his name was usually right in those titles.

Check out the first 10 and a half minutes in this documentary to see some of Saul Bass’s famous title sequences.

Saul Bass was also a graphic designer and made some very iconic posters.

He was also an Academy-awarded filmmaker. See his 1968 winning short film.

My take: when it comes to opening and closing credits, Saul Bass was a trailblazer. Have you seen any great title sequences lately?

Does your film have a clean Chain of Title?

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If you’re selling your movies already, stop reading.

If you want to make money from your films, see below.

The film business is ultimately a business. Stop thinking only about actors and directors and start thinking about accountants and producers as well. Actors and directors need good scripts, whereas accountants and producers need good products.

Yes, your sellable film is a product.

Not only does it need to be a damn fine film, it must have a “clean chain of title.” Title simply means ownership. The chain are all the creative people who’ve helped you along the way. You document their agreement and the terms of their involvement in contracts.

And there are a lot of contracts:

  • Writer Option Agreement
  • Crew Agreement
  • Actor Agreement
  • Location Release
  • Composer Agreement
  • Etc., etc., etc.

You need these agreements to get Errors and Omissions insurance.

Why do you need E&O insurance?

Distributors and television outlets want to know that they’re not going to get sued when they show your film.

Want to know more? Want free resources about Chain of Title? See Jordan Clark’s Chain of Title campaign on Indiegogo.

My take: kudos to Jordan for getting this rolling. Keeping your chain of title clean is just plain smart.

Kickstarter comes to Canada!

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Leading crowd-funding platform Kickstarter is coming to Canada.

They say new projects will go live on September 9, 2013.

It’s taken three years but it looks like Canadian filmmakers and other creative folk have no more excuses. It used to be that you needed a bank account and address in the States to list on Kickstarter. Now Canada joins the US and the UK.

Need help with your campaign? See Kickstarter and crowd-funding advice from someone who work(s/ed) for one of their competitors.

My take: sure you can raise funds on Kickstarter but more valuable is the audience you’re building. In a sense, you’re pre-selling your film to hundreds, maybe thousands, of viewers. Just remember to budget enough time!

DIY DCP

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If, after reading last week’s post about exhibition formats, you really want a DCP but lack the budget to get one professionally made, you’re in luck.

Danny Lacey has created a tutorial for OpenDCP, open software to create Digital Cinema Packages.

Danny says,

I’ll tell you what, this is going to open a lot of doors for Indie film makers too, I believe it’s going to be incredibly helpful for those going down the self distribution route. It’s quite simply chopping down the prices and expense of delivering your movie.

The 27-minute video has all the details but in a nutshell:

  1. Export your film as a 16-bit TIFF sequence.
  2. Use free, open source DCP software to convert the TIFF sequence into JPEG 2000
  3. The DCP software then wraps the video (JPEG2000) and audio (WAV) in to MXF files.
  4. The final stage is creating the DCP which generates 6 files that will be recognised by a DCP server.

My take: well worth the watch!

Exhibition Formats 2013

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You’ve written a killer script.

You’ve cast an excellent cast.

You’re shooting with an HD camera.

But have you planned out your full workflow? For instance, how are you going to show your film to your audience?

If your answer is, “On the Internet,” then carry on and use whatever compression format Youtube or Vimeo recommends.

However, if your answer is, “In theatres and at film festivals,” carry on reading.

Keep your digital intermediate (your DI) at a sufficiently high quality so that you don’t sacrifice anything as you edit.

When it’s time to deliver for exhibition, things can get tricky fast. Do you need a DCP? Can you get by with one Blu-ray disk?

Luckily, The Independent’s Guide to Film Exhibition & Delivery 2013 has is all figured out.

Their conclusion:

“Given the volatility of the current delivery landscape, it may be actually best to NOT commit to any particular exhibition format, and instead finish your film in a digital (hard-drive) format that you can keep as a master at a trusted lab for future needs down the road. It is advisable to have your film in the most flexible format possible, until you are forced by circumstance to deliver a specific format for a specific purpose. The most flexible and useful format to initiate most exhibition/delivery formats at the moment is the Apple ProRes 422 digital file.”

My take: Well worth the read, if only for the assertion that, “DCPs were invented to put independents out of business.”

Sacha Baron Cohen leaves Freddie Mercury biopic

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I have a soft spot for Sacha Baron Cohen.

I think he’s brilliant; especially in his mockumentary work, like ‘Ali G Indahouse’, ‘Borat’ and ‘Bruno’. ‘The Dictator’ was so-so. But his acting in ‘Talladega Nights’ and ‘Hugo’ hint at his dramatic range.

So I was quite happy to hear he was cast as Queen frontman Freddie Mercury.

Now comes sad news that Cohen has dropped out. Apparently, the band wants a ‘family-friendly’ film, whereas he wanted ‘a gritty R-rated tell-all’.

I’m with Sacha Baron Cohen on this one.

Why not shoot two films at the same time? One could be the public-facing, successful singer story with lots of music. The other could be the private man, his sexuality and his decline with AIDS. One PG, the other R-rated. And Sacha Baron Cohen can star in both!

My take: I’m available to write and direct. I still remember when ‘Killer Queen’ came out on the radio and how electric and different it sounded; I think it might have been the first time I heard flanging.

Infographic: The History of Film

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From HistoryShots comes this fantastic infographic of 2,000 films from the last 100 years categorized into 20 genres.

“Films are organized by genre represented by streams that grow and shrink over time. The starting point is the early 1900s when the first feature-length films were released in the drama genre. The number and sizes of streams quickly grow as filmmakers expand their creativity by moving into such genres as action/adventure, westerns, war and comedy.”

How did they choose 2,000 films from approximately 60,000? These were the criteria:

  • Critical acclaim
  • Was it a key film
  • Awards
  • Box office success

Click on the infographic to zoom in.

My take: this is a fascinating visualization of the history of feature films and their genres over the last century.

Google Glass: everyone is a cinematographer now

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According to VentureBeat, the first arrest has been witnessed by Google Glass.

Documentary filmmaker Chris Barrett glassed it in Atlantic City on July 4.

“I picked up my Google Glass explorer edition last week. I wanted to test Glass out, so I filmed some fireworks, getting a very cool first-person perspective. About 10 minutes after the fireworks, we were walking back to our car, and I just decided to try it out on the boardwalk.”

Watch the footage.

My take: welcome to the voyeur world, where everyone is a cinematographer. Right now, the public is unaware and continues to “act natural”. But will behaviour change? Has it changed with CCTV and cellphone video? Very soon, documentaries will look very different when everyone has their own Glass. Editing may be replaced with web-based crowd-sourced Glass-fueled media streams, like Switchcam.

Hyperaudio Pad: cut and paste transcript video editing

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One of the problems with digital film is that it’s too damn easy to just shoot and shoot and shoot.

Great! But then, when it’s time to edit, you’re faced with hours and hours and hours of footage.

Just logging it can take days.

A new technology promises to revolutionize this and more: Hyperaudio Pad.

Twenty-two final round winners in the Mozilla Ignite Challenge were just announced. One of them is Hyperaudio Pad by Mark Boas et al.

The creators think they’ve built a language learning tool. I think it’s a whole new way to edit video.

What’s so cool about it?

  • It transcribes footage and automatically makes transcripts.
  • You can cut and paste the words to create visual sequences.

See the web page and the pitch video.

Most importantly, see the application they made for Al Jazeera English. Search for ‘nuclear’ and then click on each of the 35 tiny red and blue squares.

My take: imagine letting Hyperaudio Pad loose on your footage. How great would your next documentary be?

Note: AVID has something similar called ScriptSync.