About Michael Korican

A long-time media artist, Michael’s filmmaking stretches back to 1978. Michael graduated from York University film school with Special Honours, winning the Famous Players Scholarship in his final year. The Rolling Stone Book of Rock Video called Michael's first feature 'Recorded: Live!' "the first film about rock video". Michael served on the board of L.I.F.T. when he lived in Toronto during the eighties and managed the Bloor Cinema for Tom and Jerry. He has been prolific over his past eight years in Victoria, having made over thirty-five shorts, won numerous awards, produced two works for BravoFACT! and received development funding for 'Begbie’s Ghost' through the CIFVF and BC Film.

Arts Innovation Deadline: November 30, 2012

Got an idea about engaging audiences in new and innovative ways?

The submission deadline for the Arts Innovation Fund, a partnership between BC Film + Media and the BC Arts Council, is November 30, 2012. The goal is to encourage arts and culture organizations to collaborate with digital media creators to better engage audiences.

“The funding is a non-recoupable advance of up to $25,000 and does not require matching funding or market support to trigger eligibility.”

BC Film + Media is administering the program. See the details.

Telefilm’s policies under fire

Telefilm Canada’s Success Index (60% box office, 30% cultural significance and 10% private investment) may be reducing the number of production companies able to secure development funding for new projects.

Groups of filmmakers are now complaining that only senior producers can qualify.

See the National Post article.

My take: Stop chasing elusive government funding and come up with new ways to finance your (albeit cheaper) films. It won’t be long before the whole regime is toppled as catering to special interests and all of Telefilm’s money goes to the CMF for televison.

Winnipeg Film Group relaxes Telefilm Microbudget membership requirement

The Winnipeg Film Group has extended its deadline for its upcoming Telefilm Microbudget Recommendation Submission to November 28, 2012.

More importantly, it has relaxed the co-op membership requirement so that members who joined more than three years ago can now apply:

“Telefilm has the following criteria for eligible applicants:
Be a recent member of the WFG’s production centre (max 3 years)
* there is now flexibility in this requirement, so long as the other eligibility requirements are met….”

No word as to whether other Telefilm partners are relaxing this requirement as well.

See all the WFG details here.

IMAA and Canada Council Call for Filmmakers Deadline: November 23, 2012

The Independent Media Arts Alliance and the Canada Council are looking for filmmakers to produce seven two minute films.

The films will honour the 2013 recipients of the Governor General’s Awards in Visual and Media Arts.

“All information regarding this project is confidential, including the names and residences of the GGAVMA recipients until the announcement date of March 12. Successful commissioned artists will be told the name of the recipient he or she will be working with to produce the video. This year’s recipients are located in Montreal, Winnipeg, Calgary, Halifax (area), Toronto (area), Ottawa (area) and Georgian Bay (area).”

Your reward? $5,000.00, plus unlimited warm and fuzzies.

For full deets, see On Screen Manitoba.

CFC Features Deadline: November 23, 2012

The fall deadline for the Canadian Film Centre’s CFC Features program is fast approaching.

Up to $600,000.00 is up for grabs.

The tiers are the Development & Packaging Lab, the Production Lab (The Movie Network and Movie Central) and the Distribution Lab (eOne).

Courtesy of the CFC:

CFC Features is looking to invest in filmmakers from across Canada with engaging stories for the big screen.

Some new program highlights include:

  • A partnership with Entertainment One, who will now be the  domestic and international distributor
  • Production entities retain copyright of their films
  • Production entities can shoot anywhere in Canada
  • Production budget levels have increased
  • Filmmakers at various levels of their careers are encouraged to apply
  • Writer/director/producer fees have increased
  • Production entities can bring additional financing to the table
  • Mentorship will be tailored to the sensibilities and individual needs of the participants

My take: if you’ve got a second draft script and a solid production team ready, go for it.

The entry fee is $100.

CineCoup coming to a city near you!

Could you use $1,000,000.00 to make a feature — in six months?

Will your marketing package rise to the top of the social media heap?

After stealth-launching at the VIFF Forum, CineCoup is about to visit cities across Canada to pitch its innovative film financing and distribution model. As they put it:

“Launching December 1, 2012, CineCoup is a disruptive film accelerator that will ultimately option 10 Canadian projects [f]or development and select one for up to $1 million in financing and GUARANTEED release in Cineplex theatres.”

For dates and more, see CineCoup.

Interactive Fund Deadline: November 15, 2012

Got a great idea for an interactive project?

Need $50K?

The deadline to apply for BC Film + Media and the BC Arts Council’s Interactive Fund is Thursday, November 15th.

Projects can be:

  • “interactive websites;
  • interactive narrative content;
  • mobile/tablet applications;
  • microgames; and
  • videogames.”

Check out the Guidelines for more detail.

Telefilm Not Short on Talent Deadline: November 1, 2012

Telefilm Canada is accepting submission of short films for the next Not Short on Talent programme, which will unspool at Clermont-Ferrand in February 2013.

The program of shorts will be curated by Danny Lennon, film festival programmer and founder of Prends ça court!, who will strive for an appropriate regional balance, so as to encourage films from all regions of the country. Priority will be given to films that have never been presented in public (world premieres).

The deadline is Thursday, November 1, 2012.

Lytro light field camera raises possibilities

At first glance the Lytro light field camera seems underwhelming.

It’s a tiny spyglass camera that takes square 1080 x 1080 photos. And costs $400 to $500. There’s limited control and no video….

But the technology behind it is kinda cool. It captures all the rays of light bouncing off of everything in front of the lens. Which means you can focus later. And change it forever, after freezing the moment in time. Lytro calls these ‘living pictures’.

Here’s how I envision using this camera:

  • Interactive ‘stories’ composed of a series of living photos that tell a narrative. Each image would be carefully designed with two areas of interest and the viewer would ‘pull focus’ from the first to the second.

But four more ideas come to mind, when I push this tech forward:

  1. Imagine when time and mono sound can be added to this mix. The viewer will be able to refocus different areas in the shot as it unfolds over time. This would be a ‘living movie’.
  2. What if enough data could be recorded to allow the viewer to change their point of view within the shot? This would be the ‘living picturescape’.
  3. Imagine a similar device to capture the ‘sound field’. A sound field recorder would work very similarly to the Lytro. It would capture all the sound waves bouncing off of objects in earshot. The user would then be able to navigate through the soundscape, in essence moving the microphone closer to the sound source they want to hear.
  4. Now imagine a combination of both devices: a living movie with a soundscape microphone — what I’m calling the AVscape. Now that’s getting close to true virtual reality!

Play with Lytro images. Click on an out-of-focus area. Neat!